Each tune's eq might seem ideal by itself, but if you series them together, suddenly one song sounds too intense (or too dull ...). Adjusting the eq can even everything out. Suggestion # 1: keep in mind that any eq changes to your stereo mix affect the entire mix - if you wish to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Idea # 2: if you're not sure about an eq choice throughout mixdown, understand that it's much easier to cut lower frequencies in mastering than to enhance them, and much easier to increase greater frequencies than to cut them. Compression: In mastering, this is utilized not just to control a mix or to include character, however likewise to "print" or send as much level to the master as possible without clipping the signal. This can almost seem like a competitors for who has the loudest cd (" my record sounded excellent till I listened on my CD carousel and Green Day was 5 db louder!"). However mastering engineers need to stabilize level with sonic stability. Levels: Ideally, a listener can play your record and not have to get up to adjust the volume. This is addressed in mastering, after the record has actually been sequenced. Just then can you actually understand how levels associate with each other as one song ends and the next begins.
Spacing & Crossfading.
Spacing: there are different philosophies as to how one need to approach the areas put in between songs on a record. Last suggestion: you might be inclined to master the same recordings that you combined, whether it is for financial reasons, innovative reasons, or simply because you can. We highly suggest that you get somebody else to master your job.
Normal areas of issue for a mastering engineer Hip Hop Beats are: equalization (eq), compression, levels (volume) relative from one song to the next, and spacing in between tunes. Or you may have 10 tunes mixed by 3 different engineers in five different studios.
Each tune's eq might seem best by itself, but if you sequence them together, unexpectedly one song sounds too brilliant (or too dull ...). Pointer # 1: remember that any eq modifications to your stereo mix affect the whole mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, remember to examine how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, however likewise to "print" or send as much level to the master as possible without clipping the signal.
